{"id":7363,"date":"2022-11-14T19:54:48","date_gmt":"2022-11-14T17:54:48","guid":{"rendered":"https:\/\/www.tonmeister.ca\/wordpress\/?p=7363"},"modified":"2022-11-14T19:54:48","modified_gmt":"2022-11-14T17:54:48","slug":"keep-your-needle-clean","status":"publish","type":"post","link":"https:\/\/www.tonmeister.ca\/wordpress\/2022\/11\/14\/keep-your-needle-clean\/","title":{"rendered":"Keep your needle clean"},"content":{"rendered":"\n<p>One of my jobs at Bang &amp; Olufsen is to do the final measurements on each <a href=\"https:\/\/www.bang-olufsen.com\/da\/dk\/story\/bespoke\">bespoke Beogram 4000c turntable<\/a> before it&#8217;s sent to the customer. Those measurements include checking the end-to-end magnitude response, playing from a vinyl record with a sine sweep on it (one per channel), recording that from the turntable&#8217;s line-level output, and analysing it to make sure that it&#8217;s as expected. Part of that analysis is to very that the magnitude responses of the left and right channel outputs are the same (or, same enough&#8230; it&#8217;s analogue, a world where nothing is perfect&#8230;)<\/p>\n\n\n\n<p>Today, I was surprised to see this result on a turntable that was being inspected part-way through its restoration process :<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"648\" src=\"https:\/\/www.tonmeister.ca\/wordpress\/wp-content\/uploads\/mag_response_analysis_dirty-1024x648.png\" alt=\"\" class=\"wp-image-7364\" srcset=\"https:\/\/www.tonmeister.ca\/wordpress\/wp-content\/uploads\/mag_response_analysis_dirty-1024x648.png 1024w, https:\/\/www.tonmeister.ca\/wordpress\/wp-content\/uploads\/mag_response_analysis_dirty-300x190.png 300w, https:\/\/www.tonmeister.ca\/wordpress\/wp-content\/uploads\/mag_response_analysis_dirty-768x486.png 768w, https:\/\/www.tonmeister.ca\/wordpress\/wp-content\/uploads\/mag_response_analysis_dirty.png 1502w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Taken at face value, this should have resulted in a rejection &#8211; or at least some very serious questions. This is a terrible result, with unacceptable differences in output level between the two channels. When I looked at the raw measurements, I could easily see that the left channel was behaving &#8211; it was the right channel that was all over the place.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"652\" src=\"https:\/\/www.tonmeister.ca\/wordpress\/wp-content\/uploads\/mag_response_analysis_dirty_02-2-1024x652.png\" alt=\"\" class=\"wp-image-7367\" srcset=\"https:\/\/www.tonmeister.ca\/wordpress\/wp-content\/uploads\/mag_response_analysis_dirty_02-2-1024x652.png 1024w, https:\/\/www.tonmeister.ca\/wordpress\/wp-content\/uploads\/mag_response_analysis_dirty_02-2-300x191.png 300w, https:\/\/www.tonmeister.ca\/wordpress\/wp-content\/uploads\/mag_response_analysis_dirty_02-2-768x489.png 768w, https:\/\/www.tonmeister.ca\/wordpress\/wp-content\/uploads\/mag_response_analysis_dirty_02-2.png 1473w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>The black curve looks very much like what I would expect to see. This is the result of playing a track that is a sine sweep from 20 Hz to 20 kHz, where the signal below 1 kHz follows the RIAA curve, whereas the signal above 1 kHz does not. This is why, after it&#8217;s been filtered using a RIAA preamp, the low frequency portion has a flat response, but the upper frequency band rolls off (following the RIAA curve).<\/p>\n\n\n\n<p>Notice that the right channel (the red curve) is a mess&#8230;<\/p>\n\n\n\n<p>A quick inspection revealed what might have been the problem: a small ball of fluff collected around the stylus. (This was a pickup that was being used to verify that the turntable was behaving through the restoration &#8211; not the one intended for the final customer &#8211; and so had been used multiple times on multiple turntables.)<\/p>\n\n\n\n<p>So, we used a stylus brush to clean off the fluff and ran the measurement again. The result immediately afterwards looked like this:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"648\" src=\"https:\/\/www.tonmeister.ca\/wordpress\/wp-content\/uploads\/mag_response_analysis_clean-1-1024x648.png\" alt=\"\" class=\"wp-image-7369\" srcset=\"https:\/\/www.tonmeister.ca\/wordpress\/wp-content\/uploads\/mag_response_analysis_clean-1-1024x648.png 1024w, https:\/\/www.tonmeister.ca\/wordpress\/wp-content\/uploads\/mag_response_analysis_clean-1-300x190.png 300w, https:\/\/www.tonmeister.ca\/wordpress\/wp-content\/uploads\/mag_response_analysis_clean-1-768x486.png 768w, https:\/\/www.tonmeister.ca\/wordpress\/wp-content\/uploads\/mag_response_analysis_clean-1.png 1497w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>which is more like it! A left-right channel difference of something like \u00b1 0.5 dB is perfectly acceptable.<\/p>\n\n\n\n<p>The moral of the story: <strong>keep your pickup clean<\/strong>. But do it carefully! That cantilever is not difficult to snap.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of my jobs at Bang &amp; Olufsen is to do the final measurements on each bespoke Beogram 4000c turntable before it&#8217;s sent to the customer. Those measurements include checking the end-to-end magnitude response, playing from a vinyl record with a sine sweep on it (one per channel), recording that from the turntable&#8217;s line-level output, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[66,4,32,65],"tags":[],"class_list":["post-7363","post","type-post","status-publish","format-standard","hentry","category-analogue","category-audio","category-bang-olufsen","category-measurements"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p48hIM-1UL","_links":{"self":[{"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/posts\/7363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/comments?post=7363"}],"version-history":[{"count":1,"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/posts\/7363\/revisions"}],"predecessor-version":[{"id":7370,"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/posts\/7363\/revisions\/7370"}],"wp:attachment":[{"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/media?parent=7363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/categories?post=7363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/tags?post=7363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}