These are links to the various postings I’ve written about the technology behind and inside Bang & Olufsen loudspeakers. Most of these are answers to questions that I get asked either indirectly through our customer service representatives, or directly, when we host visits to the company headquarters in Struer, Denmark.<\/p>\n\n\n\n
#97: Reading Specifications, Part 3 (Power Handling)<\/a> BeoLab 14<\/a> These are links to the various postings I’ve written about the technology behind and inside Bang & Olufsen loudspeakers. Most of these are answers to questions that I get asked either indirectly through our customer service representatives, or directly, when we host visits to the company headquarters in Struer, Denmark. Articles #97: Reading Specifications, Part […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-1668","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P48hIM-qU","_links":{"self":[{"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/pages\/1668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/comments?post=1668"}],"version-history":[{"count":113,"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/pages\/1668\/revisions"}],"predecessor-version":[{"id":8490,"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/pages\/1668\/revisions\/8490"}],"wp:attachment":[{"href":"https:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/media?parent=1668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
#96: Reading Specifications, Part 2 (Bass Capability and Max SPL)<\/a>
#95: Tour of B&O Struer<\/a>
#94: History of the Development of Beolab 90<\/a>
#93: Internal vs. External Volume Control<\/a>
#92: Volume controls vs. Output levels<\/a>
#91: What is a Virtual loudspeaker?
<\/a>#90: Beosound Theatre: Virtual loudspeakers<\/a>
#89: Beosound Theatre: Spatial control<\/a>
#88: Beosound Theatre and Dolby Atmos<\/a>
#87: Beosound Theatre: A very short history lesson<\/a>
#86: Beosound Theatre: Outputs<\/a>
#85: Beograms side-by-side<\/a>
#84: Bass Management in Beosound Theatre<\/a>
#83: What Use are Watts?<\/a>
#82: What’s a woofer?<\/a>
#81: Volume control<\/a>
#80: High-level sources and Beolab loudspeakers<\/a>
#79: Closed headphone magnitude response<\/a>
#78: A brief introduction to parametric equalisation<\/a>
#77: Beolab loudspeakers and Third-party systems<\/a>
#76: “Auto” loudness<\/a>
#75: Distance Tweaking<\/a>
#74: It’s not just a Soundbar<\/a>
#73: Directivity and Reflections<\/a>
#72: Signal Mixing and Decomposition<\/a>
#71: Introduction to Acoustic Interference and Loudspeaker Directivity<\/a>
#70: The basics of sound<\/a>
#69: Beolab 50 Set-up procedures<\/a>
#68: Beolab 50 – Introduction to Features<\/a>
#67: Beolab 50 Design<\/a>
#66: Beolab 50 Production<\/a>
#65:\u00a0Beolab 50’s Beam Width Control<\/a>
#64:\u00a0Beolab 90 \u2013 How to set up Active Room Calibration<\/a>
#63:\u00a0Introducing the Beolab 90 Concept<\/a>
#62: Native vs Fixed Sampling Rates<\/a>
#61: The Beolab 90 Story<\/a>
#60: SoundStage! InSight interview about Beolab 90<\/a>
#59:\u00a0Twenty Years of Stylus Development<\/a>
#58:\u00a0The Beocord 8000 Design Story<\/a>
#56: 100 Years of Danish Loudspeakers<\/a>
#55: A quick primer on distortion<\/a>
#54: Headphone Signal Flows<\/a>
#53: The Beogram 4002 Design Story<\/a>
#52:\u00a0Location, Location, Location<\/a>
#51:\u00a0The Cube<\/a>
#50:\u00a0Active Room Compensation – Some More Details, Part\u00a02<\/a>
#49:\u00a0Why select one loudspeaker driver instead of another?\u00a0(Part 1)<\/a>
#48:\u00a0Intuitive Directivity Plots v.2<\/a>
#47: Product playlists<\/a>
#46: Intuitive directivity plots<\/a>
#45:\u00a0Uni-Phase Loudspeakers<\/a>
#44:\u00a0Beolab 90:\u00a0Production<\/a>
#43:\u00a0Beolab 90: Measurements<\/a>
#42:\u00a0Beolab 90:\u00a0The top three features -Live!<\/a>
#41:\u00a0Beolab 90: Behind the scenes<\/a>
#40: Active Room Compensation – Some Details, Part 1<\/a>
#39: Heat of the Moment<\/a>
#38: Beam Width Control – A Primer<\/a>
#37:\u00a0Shark Fins and the birth of Beam Width Control<\/a>
#36: It’s Lonely at the Top…<\/a>
#35:\u00a0Active Room Compensation<\/a>
#34:\u00a0What is “Beam Width Control”?<\/a>
#33:\u00a0Video Engine Customisation Part 1: Bass Management<\/a>
#32: The Naked Truth V<\/a>\u00a0(Beolab 14 Sub, Beolab 3500)
#31: Video: How B&O Develops\u00a0a Loudspeaker\u00a0– Part\u00a02<\/a>
#30: Video: How B&O Develops\u00a0a Loudspeaker\u00a0– Part 1<\/a>
#29: The Naked Truth IV<\/a>\u00a0(Beolab 17, Beolab 20)
#28: Reading Specifications, Part 1 (Frequency Range)<\/a>
#27: Near… Far…: Depth perception in stereo recordings<\/a>
#26: Combinatorics: BeoVision 11\/Avant parameter settings<\/a>
#25: Where great sound starts<\/a>
#24: How loud are my headphones?<\/a>
#23: Visual Analogies to Problems in Audio<\/a>
#22: Listening Tips and Tricks<\/a>
#21: What is Loudness<\/a>
#20: Beovision Avant Audio<\/a>
#19: Free \/ Wall \/ Corner: Compensating for loudspeaker placement<\/a>
#18: The Naked Truth III<\/a>\u00a0(Beolab 2, 19, 14 Satellite, 18)
#17: A day in the life: Listening to recordings<\/a>
#16: Ribs and Dogbones: Loudspeaker Cabinet Stiffness<\/a>
#15: Curves are Better than Corners: Diffraction and Loudspeaker Design<\/a>
#14: Multichannel setup: Tips and Tricks<\/a>
#13: But what if my room is Scandinavian?: Room acoustics and sound reproduction<\/a>
#12: The Naked Truth\u00a0II<\/a>\u00a0(Beolab 18 prototypes, Beolab 14 subwoofer)
#11:\u00a0How to Make a Loudspeaker Driver (A primer)<\/a>
#10: Where Should I Decode?<\/a>
#9: Thermal Compression Compensation<\/a>
#8: Subwoofer Tweaking for Beginners<\/a>
#7: What is Sound Design?<\/a>
#6: What are Subwoofers REALLY For?<\/a>
#5: TrueImage Upmixing<\/a>
#4: Loudspeaker Development Process<\/a>
#3: The Naked Truth<\/a>\u00a0(Beolab 3, BeoLab 11)
#2: What’s So Great About Active Loudspeakers?<\/a>
#1: What is “ABL”?<\/a><\/p>\n\n\n\nReviews<\/h2>\n\n\n\n
BeoLab 17<\/a>
BeoLab 18<\/a>
BeoLab 50<\/a>
BeoLab 90<\/a>
BeoVision 11<\/a>
BeoVision Avant<\/a>
BeoPlay A9<\/a>
BeoPlay H2 headphones<\/a>
BeoPlay H6 headphones<\/a>
BeoPlay H8 headphones<\/a>
BeoPlay H9 headphones<\/a>
BeoPlayV1<\/a> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"