{"id":3001,"date":"2015-10-13T16:03:32","date_gmt":"2015-10-13T14:03:32","guid":{"rendered":"http:\/\/www.tonmeister.ca\/wordpress\/?p=3001"},"modified":"2018-05-29T07:56:39","modified_gmt":"2018-05-29T05:56:39","slug":"beolab-90-articles-and-reviews","status":"publish","type":"post","link":"http:\/\/www.tonmeister.ca\/wordpress\/2015\/10\/13\/beolab-90-articles-and-reviews\/","title":{"rendered":"BeoLab 90: Articles and reviews"},"content":{"rendered":"

“So how did the BeoLab 90 make us\u00a0feel<\/em>? When we closed our eyes in Bang & Olufsen’s special listening room, the pair of master reference speakers (#2 and #3 ever made)\u2014along with the room\u2014seemed to vanish the instant a song played. We weren’t listening to sound emanating from two specific points; instead, the Weeknd was singing his heart out right in front of us. Benny Goodman’s band performed an intimate set, and you could picture where each musician was sitting. The BeoLab 90’s ability to create such a lifelike three-dimensional sound stage is unparalleled when you’re sitting in the sweet spot. It certainly brings up the question of whether a speaker can be “too” good for the music\u2014some now-classic albums weren’t necessarily well-recorded and mastered (think of when the Rolling Stones turned the basement of a rented French mansion into a makeshift studio slash drug den). But when all the variables align perfectly, the music engulfs listeners entirely and hits the guts. The result of such incredible technology and engineering happens to be a very visceral human experience.”<\/p>\n

– Coolhunting.com<\/a><\/p>\n

 <\/p>\n

“Die Abbildung war ph\u00e4nomenal, jedes Instrument der gew\u00e4hlten Musik nahm ganz selbstverst\u00e4ndlich den f\u00fcr sich bestimmten Platz im Raum ein, jedes Element war von Anfang bis Ende verfolg- und erlebbar. Aber nicht nur die Ortung verbl\u00fcffte, auch die Detailgenauigkeit, mit der selbst kleinste Feinheiten bis zum erk\u00e4lteten Backgrounds\u00e4nger aufgedeckt wurde, sucht ihresgleichen.”
\n– modernhifi.de<\/a><\/p>\n

 <\/p>\n

“Vi kan bevidne, at effekten er besn\u00e6rende. H\u00f8jttalerne spiller sammen med lytterummet p\u00e5 en m\u00e5de, vi ikke har oplevet f\u00f8r. Personligt har jeg aldrig h\u00f8rt et mere holografisk realistisk lydbillede, hverken i eller uden for sweet spot. BeoLab 90 er ogs\u00e5 en fuldblods, fullrange-h\u00f8jttaler, der ikke overlader noget til tilf\u00e6ldighederne.”
\n– lydogbillede.dk<\/a><\/p>\n

 <\/p>\n

“I found that the size of the soundstage was consistently proportional to the size of the ensemble and the recording. I found that the bass was very well extended, taut, and satisfying. Most of all, I was impressed by the prototypes’ reproduction of detail throughout the audio band, and the uniformity of that quality across the soundstage.”
\n– Kalman Rubinson, Stereophile magazine<\/a> (print version, October, 2015)<\/p>\n

 <\/p>\n

“Wohl noch nie haben Lautsprecher die musikali\u00ad schen Akteure so scharf ins Wohnzimmer projiziert. Ganz gleich, ob grosse Orchester oder kleine Jazz\u00ad-Formationen \u2013 jedes ein\u00ad zelne Instrument hat seinen exakten Platz im virtuellen Raum, der auch seine Tiefen\u00ad dimension verbl\u00fcffend genau zu erkennen gibt: Der H\u00f6rer kann zum Beispiel fast in Zentimetern abz\u00e4hlen, wie weit das Schlag\u00ad zeug hinter dem Kontrabass placiert ist. Dass der Beolab 90 auch f\u00fcr schw\u00e4rzeste Bass\u00adTiefe, \u00fcberbordende Dynamik und feinen, luftigen Obertonglanz steht, m\u00fcssen Test\u00adH\u00f6rer der Vollst\u00e4ndigkeit halber nat\u00fcr\u00ad lich ebenfalls zu Protokoll geben, aber das eigentlich Spektakul\u00e4re des Lautsprechers ist tats\u00e4chlich seine \u00fcberragende r\u00e4umliche Abbildung.”
\n–\u00a0NZZ am Sonntag<\/a> 18. Oktober 2015<\/p>\n

<\/h2>\n

For more comments and reviews:<\/h2>\n

How Bang & Olufsen’s BeoLab 90 Became a Reality:\u00a0www.coolhunting.com<\/a><\/p>\n

Sk\u00f8nheden eller udhyret? Bag om B&O BeoLab 90:\u00a0www.recordere.dk<\/a><\/p>\n

BeoLab 90: B&O laver banebrydende h\u00f8jttaler:\u00a0www.lydogbillede.dk<\/a><\/p>\n

Beolab 90 is Bang & Olufsen’s striking 90th anniversary speaker:\u00a0www.whathifi.com<\/a><\/p>\n

Der Traum vom Raum:\u00a0Frankfurter Allgemeine<\/a><\/p>\n

Bang & Olufsen BeoLab 90:\u00a0Erster\u00a0H\u00f6rtest:\u00a0www.modernhifi.de<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

“So how did the BeoLab 90 make us\u00a0feel? When we closed our eyes in Bang & Olufsen’s special listening room, the pair of master reference speakers (#2 and #3 ever made)\u2014along with the room\u2014seemed to vanish the instant a song played. We weren’t listening to sound emanating from two specific points; instead, the Weeknd was […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[33,4,32,5],"tags":[],"class_list":["post-3001","post","type-post","status-publish","format-standard","hentry","category-acoustics","category-audio","category-bang-olufsen","category-loudspeakers"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p48hIM-Mp","_links":{"self":[{"href":"http:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/posts\/3001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/comments?post=3001"}],"version-history":[{"count":10,"href":"http:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/posts\/3001\/revisions"}],"predecessor-version":[{"id":3011,"href":"http:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/posts\/3001\/revisions\/3011"}],"wp:attachment":[{"href":"http:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/media?parent=3001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/categories?post=3001"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.tonmeister.ca\/wordpress\/wp-json\/wp\/v2\/tags?post=3001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}